Proceedings of the International scientific and practical conference ―Cambridge Science and Education Conference‖ (May 15-17, 2026) / Publisher website: www.naukainfo.com. - Cambridge, United Kingdom, 2026. - 429 p.

372 Acting is directly related to the continuous resolution of diverse psychological quests. The majority of these aspects are relevant to relationships and mutual influences. The active phase of society‘s development is interaction, which dominates all spheres of life. That is why dramatic material should be viewed as interpersonal communication. It is important to search for a complex of connections and mutual influences that arise and are recorded in the process of coexistence. Communicative coherence between the goal of the activity and the resources used to achieve it is extremely necessary. Identification, reflection, and empathy require constant study in the process of human relationships. The general characteristics of behavioral forms: affection, sympathy, companionship, love, social influences, submission, conflicts – are based on the emotional, cynical component. The psychophysical, emotional part is revealed in the form of a person‘s direct, passionate experience of the vital background of a situation, phenomena, and events, depending on the person‘s needs. Emotions encourage action in a specific direction. At the same time, the motivational part is revealed to the individual in the form of experiences. Thanks to emotions, a person anticipates the unfolding of events in a certain spectrum, expecting pleasant or unpleasant situations for themselves. Working on a role is a painstaking, multi-layered process that requires meticulous focus on the details of human relationships. The emotional component comes first. For example: positive emotions that appear when an idea is implemented are remembered and, in the appropriate situation, can be released from memory to obtain an effective result. The actor exists in a society that dictates conflicting directions of development, therefore, overcoming sabotage, the actor constantly exists in a convergent process (search for effectiveness, unification). It becomes all the more difficult to come up with the only true, desired emotion while experiencing a dramatic situation. The complication of organic existence in dramatic material is that the creation of the image occurs before the eyes of the viewer.